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Nicolas Bourriaud-Relational Aesthetics

this article lays out some critical framework of looking at art works in terms of the social relations they construct and then lists a large number of artists that the author believes represent this method of art making

art forms emerging in 90s include a wide range of services, contracts with viewers and tangible models of sociability. Spectator participation has become constant feature of artistic practice - theorized by fluxus happening and performance

"art and life" Alan Kaprow

new methods of communication suggest collective desire for new areas of conviviality

transivity (characterized by or involving transition; transitional; intermediate.) is tangible property of art work viewer activates the artwork - not a new idea

formal disorder inherant to dialogue - specific meaning replaced by forever unfinished discursiveness dialogue as actual origin of image making process

artwork defined as relational object

relations described by art:

history of art -

  1. relations with god/spirits - old
  2. relations between man and world - enlightenment
  3. inter-human relations - now

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